GALERIE BERNARD BOUCHE
BERND LOHAUS
ETIENNE-MARTIN
JOSÉ PEDRO CROFT
Bernd Lohaus  Fleur, 2003. Watercolour. 41,5 x 29,4 cm

Bernd Lohaus  Fleur, 2003. Watercolour. 41,5 x 29,4 cm



From Saturday September 3rd, the gallery is pleased to present an exhibition with works by Bernd Lohaus, José Pedro Croft, Etienne-Martin.


Ground floor 

ETIENNE-MARTIN
Loriol-sur-Drôme 1913 - Paris 1995
In this exhibition we are presenting La Nageuse céleste, Plaster and iron wire, 1958 and Le Bouclier, Wood + steel, 1969. Étienne-Martin became influenced by the teachings of Gurjieff and other schools of esoteric thought. He was close to the writer Henri-Pierre Roché and the founders of the Oppède group, set up by Bernard Zehrfuss. In the 1960s, Étienne-Martin won the attention of art critics as different as Michel Tapié, Michel Ragon and Alain Jouffroy, as well as Harald Szeemann, an ardent defender, who made the artist a key figure in the section “Individual Mythologies” at Documenta 5 in Kassel in 1972.
Etienne-Martin’s work is extensively represented in the state museums of France, including the Pompidou Centre and the Museum of Modern Art City of Paris.

First floor

BERND LOHAUS
Düsseldorf 1940 - Anvers 2010
Bernd Lohaus uses mostly such powerful and dense materials as azobe wood. He prefers the items that have already been used and bear the traces of human industry and time, the ones that are enriched by the past which they witness. A combination of simple, massive and sculptural shapes, sometimes described with strong, enigmatic language fragments, where we encounter mostly prepositions. The set never forms a complete sentence, but puts in space the relationship between words. Of course the intuitive layout of the wood itself is a language.
We are showing a watercolour from the Fleurs series from 2003, as well as one historical piece from 1969 in rope wrapped wood.
Recent solo exhibitions include Fremdkörper, Museum of Contemporary Art Antwerp, Belgium 2015 and MAC’s Grand Hornu, Musée des Arts Contemporains, Hornu, Belgium. 2014.

JOSÉ PEDRO CROFT
1957, Oporto, Portugal
Sim titulo
2015. Double door assembled. 215 x 80 x 160 cm. José Pedro Croft diverts daily objects from their original function. What interests him is a feeling of precarious balance between stable and unstable which, according to the artist, «reflects the transitional nature of the world». His sculptures create a complex dialogue with the environment, by means of simple, almost minimalist structures, which combine both the materiality of the object and its formal aspects. Sometimes, his sculptures are strengthened by the use of vivid colours, which are applied so to suggest a perception of the sculpture as a bas-relief. Furthermore, Croft uses mirrors and glass to play with light effects, shadow and reflections in order to create new volumes and an altered sense of space.
José Pedro Croft has exhibited extensively across Portugal, Spain and South America including solo exhibitions at the Calouste Gulbenkian Foundation, the Serralves Foundation, the Berardo Collection, the National Museum Centre of Art Reina Sofia, the Pinacotheca of the State of São Paulo, and at the Museum of Modern Art of Rio de Janeiro.